62 Inspiring Theatre Quotes

  • “All the world’s a stage and most of us are desperately unrehearsed.” – Seán O’Casey
  • “Exit, pursued by a bear.” – William Shakespeare
  • “That’s how we stay young these days: murder and suicide.” – Eugène Ionesco
  • “Theatre is a sacred space for actors. You are responsible; you are in the driving-seat.” – Greta Scacchi
  • Never fear, Brooklyn is here – Newsies
  • “I regard the theatre as the greatest of all art forms, the most immediate way in which a human being can share with another the sense of what it is to be a human being.” ― Oscar Wilde
  • “Unfinished work invites tampering, while polished, mature work seals its integrity.” – Robert McKee
  • “I’m really very sorry for you all, but it’s an unjust world, and virtue is triumphant only in theatrical performances.” – W.S. Gilbert
  • “Death does not discriminate between the sinners or the saints” – Hamilton
  • “How hard is it, when everything encourages us to sleep, though we may look about us with conscious, clinging eyes, to wake and yet look about us as in a dream, with eyes that no longer know their function and whose gaze is turned inward.” – Antonin Artaud
  • “Happiness was useless to me. It was heartache that filled my purse. What happy man has need of Shakespeare?” – Jennifer Donnelly
  • “Oh if life were made of moments, even now and then a bad one, but if life were only moments then you wouldn’t know you had one.”- Into the Woods
  • “I believe that in a great city, or even in a small city or a village, a great theatre is the outward and visible sign of an inward and probable culture.” – Laurence Olivier
  • “Winfred, never confused efficency with a liver complaint.” – Mary poppins
  • “Acting is a sport. On stage you must be ready to move like a tennis player on his toes. Your concentration must be keen, your reflexes sharp; your body and mind are in top gear, the chase is on. Acting is energy. In the theatre people pay to see energy.” – Clive Swift
  • “Masquerade, paper faces on parade. Masquerade, hide your face so the world will never find you.” – Phantom of the opera
  • “The theatre is certainly a place for learning about the brevity of human glory: oh all those wonderful glittering absolutely vanished pantomime.” –Iris Murdoch
  • “Theatre is the art form of the present: it exists only in the present, and then it’s gone.” – Simon McBurney
  • “A creative and artistic home is what I’ve been looking for in the theatre.” – Kenneth Branagh
  • “The theatre was created to tell people the truth about life and the social situation.” – Stella Adler
  • “Great theatre is about challenging how we think and encouraging us to fantasize about a world we aspire to.” – Willem Dafoe
  • “With theatre, you have to be ready for anything.” – Willem Dafoe
  • “Musical theatre history is littered with bad reviews for now classic pieces.” – Andrew Lloyd Webber
  • “Take me for what I am, who I was meant to be.” – Rent
  • “My real training as an actor was when I started doing theatre.”- Steve Buscemi
  • “Make them laugh, make them cry, and hack to laughter. What do people go to the theatre for? An emotional exercise. I am a servant of the people. I have never forgotten that.” – Mary Pickford
  • “The greatest thing you’ll ever learn is just to love and be loved in return.” – Moulin Rouge
  • “Theatre is a series of insurmountable obstacles on the road to imminent disaster.” – Tom Stoppard
  • “Everything happens every night for this audience, and it’s a very special occasion to come to the theatre.” – Roger Rees
  • Then everyone leaves, and you are left, each night, to your own devices with a crowd of interesting people – most of whom you don’t know – sitting in the dark.” – Anna Deavere Smith
  • Actors are all about entrances, but writers are all about exits.” ― Vincent H. O’Neil
  • “If you want to change something by Tuesday, theater is no good. Journalism is what does that. But, if you want to just alter the chemistry of the moral matrix, then theater has a longer half-life.” ― Tom Stoppard
  • “All the world’s a stage, And all the men and women merely players; They have their exits and their entrances, And one man in his time plays many parts.” –William Shakespeare
  • “We have freedom of speech, but you got to watch what you say.”- Viola Spolin
  • “It’s time to trust my instincts, close my eyes and leap!” – Wicked
  • “Theatre exists only because it is overwhelming because its acting is astonishing. Where a theatre and its acting are merely ‘good,’ merely ‘correct,’ merely ‘in the proper style,’ theatre dies a slow death.”  – Robert Cohen
  • “Well, we can’t all come and go by bubble!” – Wicked
  • “The theatre, when all is said and done, is not life in miniature, but life enormously magnified, life hideously exaggerated.” – H. L. Mencken
  • “You need three things in the theatre — the play, the actors and the audience, and each must give something.”   -Kenneth Haigh
  • “Wow, you mean the bible is actually a trilogy and the book of mormon is return of the Jedi? I’m interested.” – The book of mormon
  • “Coughing in the theatre is not a respiratory ailment. It is criticism.” – Alan Jay Lerner
  • “The theatre is so endlessly fascinating because it’s so accidental. It’s so much like life.” – Arthur Miller
  • “In the theatre the audience wants to be surprised but by things that they expect.” – Tristan Bernard
  • “Now life has killed the dream I dreamed” – Les Miserables
  • “The theater is a great equalizer: it is the only place where the poor can look down on the rich.”  – Will Rogers
  • “Don’t think you’re funny. It’ll never work if you think you’re funny.”George Abbott
  • “The thing that makes a creative person is to be creative and that is all there is to it.”- Edward Albee
  • “Acting is a matter of giving away secrets.”- Ellen Barkin
  • “Tell me and I’ll forget, show me and I may remember, involve me and I’ll understand.” – Chinese Proverb
  • “Whatever you do kid, always serve it with a little dressing.” – George M. Cohan
  • “To be a character who feels a deep emotion, one must go into the memory’s vault and mix in a sad memory from one’s own life.” -Albert Finney
  • “It is not theatre that is indispensable, but something quite different. To cross the frontiers between you and me.” – Jerzy Grotowski
  • “Actors are the only honest hypocrites.”- William Hazlitt
  • “If you cast wrong, you are in a lot of trouble.” – Paul Mazursky
  • “Drama – what literature does at night.” – George Jean Nathan
  • “The most precious things in speech are pauses.”- Ralph Richardson
  • “The theatre, like the fresco, is art fitted to its place. And therefore it is above all else the human art, the living art.”- Roman Rolland
  • “I want to make the audience laugh and cry within ten seconds, to show just how close those emotions are.” -Neil Simon
  • “A talent for drama is not a talent for writing but is an ability to articulate human relationships.” -Gore Vidal

The Path to Becoming a Prop Maker

At this stage you might be wondering ‘what does a prop maker do?’ or maybe you already know, but, you’re looking for more information on how to become one or what the job entails. This guide will cover everything you’ve wondered about prop makers. We have extensive experience that enables us to provide you with everything you need to know.

What is a Prop Maker?

A prop maker will create anything from replica gaming weapons, giant props of food or life size props for theatre productions. Prop makers work with a variety of different materials and their methods are constantly changing as each new prop challenges their skills and ability to create real life looking props. Prop making is an art which needs patience and the ability to be extremely creative.

Day to day, prop makers usually work in a workshop, theatre studios or at a TV or film studio. Day to day, you’ll be discussing the props that need to be created, creating plans and sketches as well as detailed designs and detailed research if creating replica designs. You’ll be using different materials and a multitude of tools and machinery. You may also be required, not only to create, but also to repair props.

Prop Making Courses

 Wondering how to Become a Prop Maker? There are a few routes you can take. There are many apprenticeships around as well as university courses; it’s completely down to personal choice as to what route you take. Some prop makers have made it into their dream career without attending an apprenticeship, college or university and instead have achieved so through hard work, connections and self entrepreneurial qualities. It is always a good idea to get in touch with a prop company and offer to work on a voluntary basis for a few weeks, proving your worth and making good connections along the way.

Prop Maker Apprenticeship

There are many apprenticeships that become available throughout the year in regards to prop making. The National Theatre has had an apprenticeship programme running since 2011, you can also find opportunities on the National Careers website. 



To get into university and on a path that will enable you to become a prop maker, you’ll typically need:

  • 2-3 A levels to get onto a degree course
  • 1 A level to get onto a foundation level
  • A foundation diploma in art & design

To become a prop maker you may decide to take a foundation degree in:

  • Prop Making
  • Art & Design
  • Scenic Arts
  • Production Arts



You can go to college and complete a variety of courses there in order to get some of the skills needed for prop making. Just a few examples of the courses you could take are:

  • Level 2 Diploma in Art and Design
  • Level 2 Certificate in Carpentry
  • Level 3 Certificate in Creative Craft
  • Level 3 Diploma in 3D Design and Crafts

Entry requirements:

  • 2 or more GCSEs at grades 9 to 3 (A* to D) for a level 2 course
  • 4 or 5 GCSEs at grades 9 to 4 (A* to C) for a level 3 course

Prop Maker Vacancies


There are many prop maker job vacancies online.

You can use any popular jobs posting websites such as Indeed, Total Jobs, LinkedIn as well as National careers to find opportunities within the prop industry.

Do you have what it takes?

It takes a special person to create props; you’ll need to be adaptable and explorative.

Skills Needed to Create Props

The great thing about being a prop maker is that no job is ever the same. This also means that you’ll need a different set of skills each time you create a new prop. The prop industry is constantly developing and so will you. Below are some of the many core skills that you’ll need.



Carpentry involves constructing and repairing structures made from woods and various other materials. Carpentry involves mechanical skills such as use of tools and machines. This can involve anything from power saws to drilling and remodelling. You will also need maths skills to measure materials, work out angles, scale objects, work out volumes and mass. You’ll also need to utilise your maths skills for calculating costs and estimates.

Carpentry also involves a certain degree of critical thinking and problem solving. Prop making does not always go to plan and you’ll need to think on your toes as well as strategically. Critical thinking will also help you with the design, layout, time management and planning of your prop creation.



Sculpting involves the transformation of any solid materials into any form or shape. Making sculptures takes a lot of patience. Sculpting may be done with materials such as clay, polystyrene, wood and metal. Sculptors will need to carve, chisel and model their materials into a finished sculpture, and often bearing in mind how the finished piece will be moulded, making sure to minimise any undercuts that can be time-consuming and costly in the moulding process.

Moulding & Casting


Moulding is a process that is used extensively in prop making, especially when multiples of a prop are required. Moulds can be made with silicone, fibreglass or plaster and some moulds are more intricate than others, but a knowledge of this process is invaluable. Once a mould is created, casting can take place. Materials used to cast in to moulds are fibreglass, also known as GRP: Glass Reinforced Plastic, or Jesmonite, otherwise known as GRC: Glass Reinforced Concrete, or polyurethane foam, often used to bulk out and strengthen a cast that has been rota-moulded or to give a soft finished prop rather than a solid, non-malleable one.



There are many forms of painting, each entailing their own skill necessity. Painting props requires special attention to detail in order to enhance the realism of the props. You may be required to paint a prop that needs to have a glossy smooth finish or a textured prop that required you to paint over materials to create a certain effect. Anything that is seen in nature can be replicated with paint effects. The painting of a prop is the last process, and the knowledge and skill of the painter makes all the difference in what level of quality the finished prop has.



There are different types of welding; the ones mainly used in prop making are MIG welding (Metal Inert Gas) and TIG welding (Tungsten Inert Gas). MIG welding is easier to learn compared to learning how to TIG weld. Welding is used across a variety of prop types and it is an invaluable skill to have.

Computer Design


As well as drawing up designs, you’ll also be required to create digital designs. Computer aided design is used to create detailed designs prior to prop making. The design will factor everything from measurements, paint, materials needed and the overall look. These can be shown to the clients for approval as well being used as an aid to create the prop when the time comes.

Soft props & upholstery


Soft props are props made using fabrics, foam, card and anything that results in a soft feeling prop. A puppet made using fabrics and foam is a good example of a soft prop.  Weapons cast in silicone rubber or polyurethane foam are another. Upholstery is used when you are looking to cover a prop with material; this can be anything from creating an antique looking chair to creating a soft backdrop.

Prop Maker Salary

So you’re wondering ‘how much money does a prop maker make? Like most artistic and creative roles, it’s hard to completely define how much people in these professions earn. Earnings may depend on where you work, the size of the company and how in demand your job is.  Below are some broad averages in terms of salary:

Position Salary
Starting Salary
£15,000 a year
£85 - £250 a day
Mid - Senior Salary
£25,229 – £53,469 a year

Prop Maker Jobs

Model Making


Model making jobs requires real attention to detail. A model is often smaller than the object it represents. Many people like to collect model figures so many businesses, film companies or gaming companies like to make models of popular characters. Models are also often used within architecture, product and theatrical design.

Set designer

Set, production or stage designers are in charge of creating the overall look of a theatre, television or film production. Set design jobs are such an important part of telling a story, the set needs to fit the story and aid the actors in their roles.

Prop Maker

You could work as a prop maker over a variety of different industries or become a prop maker within a workshop. If you work in a prop workshop you’ll be creating props for a variety of different customers such as film, theatre, business, retail and many others.

You’ll need to be adaptable and have a really wide set of skills in order to fulfil clients prop requests. They may provide you with a rough idea of the type of prop they’re looking for but you’ll then need to go away and decide on the best method and materials to use. You could be creating anything from theatre props, film props to window display props.

The great thing about being a prop maker is that it can take you into many roles. There are always new and exciting designs to create and you can always be creative. These skills are also very transferable across many different artistic and creative sectors so you’ll have many options. No day is ever the same as a prop maker, so if you’re looking for a job that enables you to be innovative and adaptable, prop making could be the profession for you.

17 Unexpected Things you didn’t know about your Favourite Horror Films

1. The Exorcist (1973)

Paul Bateson played a radiologist’s assistant in The Exorcist. He was a convicted murderer who dismembered and killed gay men in the late ’70s.


2. Alien (1979)

The actors were not informed that the xenomorph was going to explode from Kane’s chest. This enabled genuine reactions from the cast. Veronica Cartwright even passed out.


3. Psycho (1960)

It was the first movie to ever show a toilet being flushed.



4. Poltergeist (1982)

Four of the cast in the original film died within six years of the film’s release data. One of those was Heather O’Rourke (the girl in the gif) and because of this, the belief that the film was cursed arose.



5. Night of the Living Dead (1968)

The Night of the Living Dead was shot in black and white. This means that they didn’t have modern film challenges to make the fake blood look realistic. When Karen Cooper (Kyra Schon) takes a bite of her dad’s flesh, she’s actually biting into some leftover lunch.



6. The Silence of the Lambs (1991)

Anthony Hopkins was only on camera for just under 25 minutes. He was barely in the movie but he still took home the Oscar for Best Actor that year.




7. The Shining (1980)

The carpet is the same design in The Shining and the second floor landing of Sid’s house in Toy Story.




8. The Amityville Horror (2005)

The cast and crew of The Amityville Horror kept waking up at 3 am while filming. That’s the same time the original murders took place.





9. Split (2016) 


James McAvoy broke his hand while filming Split in 2016. The incident occurred after he hit a door that he thought was fake. It was actually solid metal.





10. The Conjuring (2013)


During filming, Vera Farmiga experienced several instances of paranormal activity, including finding claw marks on her thighs.





11. Get Out (2017)


It’s no secret that Get Out has many references about American slavery. The teacup is symbolic to slave masters that summon house slaves using teacups.

The use of a silver spoon can be seen as meaningful because of the term “born with a silver spoon in one’s mouth”.






12. The Cabin in the Woods (2012) 


Jules kisses the wolf head on the wall. The wolf’s tongue was covered in powdered sugar to make it look dusty but also to make the scene more tolerable for Anna.






13. Saw (2004) 


Saw was actually inspired by a news story. The idea came about when James Wan saw a news report that described a man who would break into people homes and tickle the feet of sleeping children.

Once the man in question was caught, he revealed that he was forced to do it by someone else & was sent a jigsaw piece. This is where the idea of the jigsaw killer forcing characters to do unthinkable things flourished.






14. Halloween (1978) 


Due to its limited budget, the prop department used the cheapest $2 mask they could find in the costume store.


That mask happened to be of the Star Trek actor William Shatner. They spray-painted the face white, teased the hair out and reshaped the eye socket.






15. The Shining (1980)


Stanley Kubrick created all 500 pages with the words “all work and no play makes Jack a dull boy”. Kubrick didn’t go to the prop department with the task and instead, he used his own typewriter to make the pages.







16. Candyman (1992) 


Real bees were actually put into lead actor Tony Todd’s mouth while shooting the finale.







17. The Badadook (2014) 


The Babadook is a gay icon. It started at the end of 2016, when a Tumblr user started a thread about how he thought the Babadook was gay. The joke lead to the Babadook becoming a symbol for Gay Pride month in parts of America.







How to Attract Visitors to your Exhibition Stand

Exhibitions are a fantastic marketing platform that enables you to leave an impression and interact with your target audience. You want attendees to notice you and in a busy exhibition venue, you’ll need to stand out. To gain valuable leads you’ll first need them to stop at your stand and then have them there long enough to engage in constructive conversation.

Exhibitions and trade shows are extremely important for attaining leads but it’s equally important that you aren’t too sales heavy. It’s a place to be creative and really show off your amazing brand and employees.

Stand Out

You’ll need to portray your brand in the most eye catching way possible. Blending into the background is the last things you want.

If you’re all about innovation, you may want a LED video wall screen to showcase this. A digital screen can be a really eye-catching feature and a fantastic way to display demos, promotions or just something fun. According to 48% of exhibitors, an eye-catching stand is the most effective method for attracting attendees.

If your brand focuses on being environmentally friendly, you may go for a smaller, more natural stand. Using AstroTurf grass, wooden boxes, potato sacks and a plant filled wall would reflect your eco brand identity.

The stand has to fit with your brand and values. 83% of exhibitors believe expanding on brand awareness is a high priority objective at an exhibition. People need to immediately identify your brand personality, so it’s crucial that you get this right.

Exhibition Stand

Use Props

Props are another great visual element that can be used to attract the attendee’s attention.

You can use large or smaller props, however at an exhibition or trade show you may want to go large. A large prop will grab attendee’s initial attention and may even be the show stopper of the event.

Spur Creative Workshop made a magic tap for The Boat Show; the tap appeared as though it was suspended in mid air, being supported by the force of the jet water. They used a submersible pump to keep the flow of water coming from the tap spout and to also help the illusion.

Exhibition prop

If you have any characters that are associated with your brand or product, it’s definitely worth recreating them as a prop. Zingy, the orange character associad with EDF energy became popular when he featured in a series of their successful adverts. Recreating Zingy as a real life size prop would work successfully in an exhibition space to attract visitors.

Spur Creative created two game characters for Microsoft’s new game Sea of Thieves.

The sculpts were used to promote the new online platform at a video gaming conference in Los Angeles.  The use of sculptured props were a success, hundreds of gaming fans had their picture taken with the sculpts and it captured many other gamers attention.

43% of exhibitors spend between £500 and £2000 on their exhibition displays per year. 21% of exhibitors at smaller exhibitions spent between £100 – £500 on their displays.

Of course the cost depends on the size of your business, what shows you want to participate in, how large your spot is and if you want to integrate expensive technology.

However, whatever the budget, the below image breaks down the percentage of budget you should be spending in each area.

Give Them Something for Free

Giving away free things is often an underrated method. You can attempt a more traditional method of giving out things like pens and notepads with your branding on, but everyone has seen this a thousand times over. Plus, no one is jumping at the chance of a free pen.

We mentioned earlier that if you’re values are in line with being eco-friendly, you may have a wall of tiny plants as part of your display. This is where you take this creative idea further; why not let visitors take a small plant home?

The branding can still be on the pot but it also encourages them to come over and interact with your stand. Plus, if they identify with your environmentally friendly brand, they’ll definitely be up for a free plant to nurture.


Interactive Games

Using interactive games to draw people in can go hand in hand with giving them a free gift. Why not make them work for it?

You don’t just want people to notice you, come take a free gift and go (although that’s still great) you want to aim for people to come over, play a game, spend some time, engage in conversation and then take a free gift. This process gives a much larger scope for attaining leads and ensuring you get chance to portray your message and also your brand personality.

Not to mention games are fun, make sure the game is on brand and that it’s in line with the message you want to convey. McVities recently used an interactive experience where two consumers were required to work together to operate a model crane.

The aim was to grab a giant Mcvities ‘prize’ nibble, each prop nibble providing a prise. This campaign was an effective way for consumers to interact and win prizes associated with their brand, far more successful than just taking a free pack when passing by.

Train Your Staff for the Event

Training your staff that will be manning the stand is vital. Your staff’s behaviour is just as pivotal to the success of the stand as the design is.

You need to look the part and be the part. 85% of an exhibitions success lies within the performance of the staff.

If you feel like your employees don’t fit the part, or you don’t have enough time to train them, you can always get promotional staff to fill in. They’re great for attracting and opening up conversation with attendees.

You can even use them for specifically ‘pitching’ your brand or just to get people interacting with your stand. That gives you more time to have deeper conversations with those who are looking to find out more about you.

It’s also worth hiring promotional staff if you’re holding an exhibition in a country that is not your first language. Promotional staff will approach situations with the appropriate dialect for that specific country.

There are many ways to attract people to your exhibition stand, but not all of them will work for you. It’s important to know the message you want to put out at these types of events and only then can you use these methods to enhance it.

Exhibitions are a really great way show off your business and have fun doing so. This may be the only chance attendees get to see something physical that they can associate with your name.

Make it memorable and don’t be afraid to go big or be different.


Prop art in Theatre (Infographic)

Props play a crucial role in provoking viewer’s emotions and heightening performance.

Theatre props are anything movable or portable on a stage which is distinct from the actors, costumes and scenery. The use of props in British theatre has come a long way since they were first introduced in the 13th century.

In an age where everything is digital there is something special about humans using only themselves and props to tell a story. It is this element that has helped theatrical productions continue to play a significant role within British culture for thousands of years.

Props help scenes become more realistic and assist in guiding the viewers’ imagination. Some may argue that props and the design behind them are often underappreciated.

They not only help the viewer identify the character that is being displayed but also help the actor get into character – much like how wearing a suit may help a professional get into a business mind set.

Props have the power to take us back and become engrossed in stories that were centuries well before our time.

They often become a part of a character and therefore develop into a vital association with that particular story. These props can often become highly valued collectables.

Robby the Robot from Forbidden Planet first made his film debut in 1956 and later went on to appear in The Twilight Zone and The Addams Family. The robot became the most expensive prop ever sold at auction when it reached $5.375m.

This was closely followed by the Aston Martin that appeared in the James Bond film Goldfinger and Thunderball which was sold for $4.6m.

Props are much more than just an object to assist the eye. We put meaning into objects and use them symbolise and communicate stories.

Share this Image On Your Site

An Introductory Guide to Props and Why we Love them

Props Header (1)

What does the term “prop” mean?

The term “props” refers to theatrical property, and is the shorthand for the various items used to drive forward the narrative of a play, or screen/theatrical production. The first use of the shortened word “prop” appears in the Oxford English Dictionary. A prop’s primary function is to make the setting of a play more realistic for the actors involved.

Continue reading

The 7 Steps to Creating a Captivating Retail Display

The importance of a truly head-turning, compelling retail display cannot be overstated. A retail display campaign is often the first step in the relationship between you and your customers. It’s an important strategy if you’re to win hearts and minds, and turn the passive window shopper into a very active paying customer. They are the difference between whether the customer walks on by, or steps inside your shop.

Continue reading

Fibreglass Sculptures: 7 Perfect Reasons Why You’ll Want One

Battle Toad

Fibreglass is an almost revolutionary material in the world of home, garden, or public space decoration. It is a special material that allows for a much finer rendering of statues and sculptures. In fact, fibreglass sculptures are starting to become quite the trend in both interior and outdoor design.

This molten glass allows you, or your designer, to go wild on the imagination and create sculptures that really represent you, or that can be part of a wider vision. It can be representative of your business, decorate your garden or patio, or stand as a much larger urban symbol.
But there’s just so much more to be excited about, and I’ve prepared 7 big reasons why you’ll love it!


Fiberglass reflects moulds perfectly


Fibreglass follows the shape and pattern of any mould perfectly, no matter how intricate the design, and no matter the size of the project. This is one of the prime reasons why it’s a great solution for creating sculptures.

This allows it to The first coat we apply to the mould, the gelcoat covers every nook and cranny of the mould without air bubbles forming and the final layers of glass matting and resin strengthen the finished piece. The end result is a perfect, full-bodied sculpture. The object then goes through sanding, polishing and painting, and it’s ready for display.

It is more durable than concrete

In fact, it’s better looking too. But fibreglass is first and foremost, more resistant than concrete, which in time chips away, changes colour, and can be easily broken or cracked. Cement is also too thick to fit snuggly into complex patterns, so if you’re looking for a detailed sculpture, fibreglass is your best bet.

Fibreglass statues can decorate any type of space

Thanks to its versatility, fibreglass can be used to adorn both private and public spaces. You can use Gold hoarder it to create statues for your home, for an elegant office, or, thanks to its durability, for your yard and garden, or for public spaces like parks or squares.

You can order from a manufacturer, and receive a product that follows your specifications to the smallest details. You can even hire an artist or graphic designer to create an original concept for you, then contact a manufacturer and send them the design and specifications.  But there are also artists who specialize in fibreglass sculptures, and you can purchase ready-made, original concepts.

It’s the perfect material for a modern artist

If you’re an artist looking to express yourself in new ways and experiment with new materials, fiberglass might be just the thing for you. While the initial investment in the machinery and materials might be a tad hard on your pockets, and there’s a learning curve to mastering the technique of fiberglass moulding, you can end up creating exquisite pieces that you can both exhibit and sell.

Combine your art with starting a business and perhaps you’ll find that perfect life-work balance we’re all looking for.

Fibreglass can be anything you want


One of the things I like best about this substance is not just that it makes great fibreglass sculptures and objects, but that these can come in any shape, size, and colour/s you want. A good manufacturer will be able to render realistic portraits in both colours and proportions, or avant-garde shapes, futuristic angles, caricatures, famous pop icons, and more. Your imagination is the limit!

A fibreglass sculpture can be the perfect gift

Because the possibilities are endless, you can order the creation of special and unique gifts for your friends and loved ones. Perhaps you can surprise your mother and recreate that one statue she loved, but which broke.

Or maybe you’ve got a friend who collects action figures and you want to create a unique rendition of a favorite character for them. Only it will be life-sized and awesome!

It is light and easy to transport

Fibreglass is excellent for creating large sculptures not just because it’s highly resistant, but because it’s light, too. This makes it easier to transport, either by yourself or by a courier or moving service. So whether it’s for a private initiative, or a public project, handling is easier and safer.


These are just a few of the reasons why I love fibreglass sculptures and consider them far superior to many other materials. Fibreglass allows you to decorate with unique concepts that look and are high quality, of either your own design, or a manufacturer’s or artist’s.

But I also love the fact that you can purchase ready-made sculptures from specialized vendors and pick something that truly reflects your preferences, or the requirements of the space you’re decorating.

So, what are you waiting for? You’ve seen what fibre§glass can do, it’s time to get a sculpture of your own!

The advantages of sculpting with polystyrene

Here at Spur Creative, we’re experts in crafting spectacular sculptures and models for all of your decorative or display needs. We offer a range of services to suit your requirements, but it’s fair to say that we are big fans of using polystyrene in our creative projects. The reason for that? Well…

Polystyrene is something that we all come across on a daily basis – not necessarily in the sculpture form of a display in a shop window or at a specific event, but also in the more basic forms of the packaging in your recent online order, or protection, like in the inside of your bike helmet.

On top of the fact that polystyrene is available and easily accessible in a variety of forms, ranging in expansion and density, it has a series of other benefits that make it the perfect choice for sculpting and bringing your prop design idea to life.


As shown by the multitude of uses of polystyrene that we’ve already talked about, it is a very versatile material. Not only is polystyrene available in different forms, it also is malleable and easy to cut, shape, sculpt and coat – it’s a propmaker’s dream!

It is possible for our creative professionals to create replicas without any problem, as well as curved walls and irregular shapes, giving you limitless options for your project ideas and designs.

Fast turnaround

By coming to a professional and dedicated team like us here at Spur Creative, you’re not only guaranteeing the highest quality results, but also a fast turnaround. Thanks to our expertise, your polystyrene-based props and retail displays can be created in very little time.

But that certainly doesn’t mean we’re skimping on the finer details – we know just how important detail and lifelike details are, and that’s why we make sure all of our projects have the wow-factor that everyone is looking for.


The beauty of using polystyrene for sculptures, models, and other props is that there is no limit to its size. However big or small your design is, it’s possible with polystyrene. From a handheld sculpture to a grand retail display or giant prop, polystyrene has the ability to produce quality props at any scale. Have a look at some of our recent projects and see for yourself!


Polystyrene is a relatively inexpensive material, which is one reason why it’s so widely used. When it comes to using other materials, the amount or time-scale may render a bill that you cannot work with, which is where polystyrene comes in as the money-saving alternative.

Plus, not only is polystyrene cheap to buy, it’s also durable and performs well for decorative purposes – particularly when it’s teamed with the right coating and finish. This means you’re really getting the most for your money.


As we mentioned already, polystyrene is very versatile; not only in how we can work with it, but also how it can be used. Part of this is down to the fact that it is so lightweight. Being a lightweight material means that it is suitable to manipulate and move around however you want it – for example, if you want your shop window to have a floating polystyrene object, you can!

Being lightweight means that it’s easy to transport and manoeuvre too. This makes the job easier for that van driver who is taking it from event to event, as well as for the shop assistant that has to experiment with its set-up in the shop window. Most of the time, one or two people can move even the biggest of sculptures quite easily.


On top of being beneficial to you and your budget, working with polystyrene is beneficial to the environment too! As a recyclable product, any waste involved whilst crafting up your spectacular project can be recycled. Leftovers can be reformed into reusable polystyrene, either for new creative designs or one of the material’s many other uses…

If you’d like to hear more about polystyrene carving here at Spur Creative, head over to our services page where you can find out more, or get in touch! We’d love to hear from you.

5 Ways Giant Things Can Enrich Your Life

We’re not going to sugar-coat things here. We love giant props. That’s probably because we make them, which means we are more than a little biased. We love the different things you can do with them, the weird and quirky ways they can be used to complement any event or show. So we thought we’d publish five of the myriad ways that giant props can turn your life around and bring a smile to your face. 

1. Giants can teach you about your history 

We’re going to cheat a bit on this one, and include giant puppets too. But that’s only because we are in awe of how all things gigantic can be used to create a sense of wonder or spectacle, especially if you’re looking to put a show on that your audience is going to remember for a long time to come. 

Meet the Sea Odyssey team. They’ve been enchanting the crowds of Liverpool on a number of occasions now. They always appear when Liverpool is commemorating a historical event and they have proven to be a brilliant method of weaving historical fact together with fantastic stories. 

First unveiled in 2012, Sea Odyssey saw three marionettes – a 50ft man, a 3ft girl and a 9ft dog take to the streets of Liverpool to mark the anniversary of the sinking of the Titanic. 

Commissioned by Liverpool City Council, the success of the event saw the characters return in a different guise in 2014 to mark another anniversary – this time the beginning of the First World War, one hundred years previously. ​This time, in “Memories of August 1914”, it was just the little girl giant and her canine companion who dazzled the crowds. 

2. Giant puppets can (sometimes) tell your story much better than people can 

Again, we are technically dealing with puppetry here, but surely by now everyone is familiar with the Joey puppet, the horse who captured the imaginations of millions of people across the globe as part of the blockbuster theatre hit,  War Horse. 

Whilst the play is an adaptation of an already successful book as well as a Steven Spielberg film, it is arguably the use of giant props and puppets that has made the stage incarnation that much more memorable. The life-like nature of the props was a testament to the craftsmanship of the people who made them, and was surely a contributing factor to the fact that the play has long stayed in the memory of those involved.  

3. Our brains go mad when faced with giant food 

Here at Spur, we have made a number of different types of giant food props for our clients and collaborators. We think there’s something strangely compelling about giant food. Our inner child can’t help be wowed when we see our favourite foods in giant form. 

Take, for example, this video of kids being treated to their favourite food….

They love it, right? That’s because our brains are attracted to novelty: the new, the different, the bizarre. As humans we are hard-wired to like shiny new things, especially when they happen to resemble something that is already close to our heart. That’s why those giant version of the Krave cereal boxes we created went down a treat. We are often drawn to novelty without being aware of it.  

Our love of novelty means that we love anything big, shiny, which means we are especially open to giant objects which can be used as learning tools…this brings us neatly to point number 4…..

4. Giant objects can help with our creativity and learning 

Learning and creativity can be best served by playing and interactive learning. And what better way to experience learning than through the use of giant learning aids? 

Using props when giving a lesson or a presentation are proven methods of ensuring that your audience and/or pupils have an enjoyable time. Props can help you land your points and ensure that the lesson will have a visual reference point, making it more memorable for all involved. Participants will have much more of a sense of how the lesson relates back to their lives. ​ 

Play and learning is especially vital for children, so giant props are great visual aids for teaching children about spatial awareness and problem solving.  Below is an interesting (visual, see what we did there?) representation, courtesy of Columbia University of just how visual learning engages the brain. 

5. Giants have always given us a good scare 

Giants have been some of the primary antagonists of some our most enduring folk tales and stories. With Mark Rylance due to take the title role in Steven Spielberg’s new version of The BFG  later this year, the appetite for giants as sources of fascination for young people has clearly never been stronger.

Whether its giants or ogres, children never fail to be enthralled by big characters (both figurative and literal), as they are often so completely “other”, so utterly “alien” that they immediately conjure up images of far-away kingdoms and fictional realms. 

Giants are often a great way to teach young children about morals and ethics; the lesson from stories such as The Selfish Giant and The BFG is that appearances are not always what they seem; these lesson will often remain burned into our psyche as we reach adulthood. Giants who were initially perceived as fearsome and cruel are actually shown to possess great kindness and inner strength. Here are some images of some our favourites; the BFG himself and the giant who is the antagonist of Jack and the Beanstalk